Continuing in the “Dream of the Rood” vein, I feel as if one of the most essential points has already been made: the sacrifice of the tree transforming into the Cross; Beowulf’s sacrifice immortalizing him as a hero; and Christ’s sacrifice fulfilling the prophecies. Obviously, while all of these sacrifices have a definite Christ-like sentiment surrounding them, it is interesting to note the Christian-Germanic paradox present in the poem. With new Christian morals tearing people away from their ancient Germanic tradition, there was bound to be a feeling of confliction and confusion. This struggle between the old and the new is clearly evident in “Dream of the Rood,” namely the idea of a burly hero intent on revenge versus the idea of a different sort of hero who preaches forgiveness. The author’s answer to this conflict is a suitable compromise: Christ is portrayed in the poem as a “young Hero” and “Warrior,” but one who bears his fate stoically, who does not vow vengeance on his enemies. Portrayed thus, Christ is now wholly relatable to the Anglo-Saxons, and is probably even reminiscent of Beowulf. However, “Dream of the Rood” is even more powerful and inspiring than Beowulf, for Christ does not die an untimely death, nor does he grow weak and old. Instead, he rises up again, more majestic and beautiful than ever before, a key contrast to Beowulf.
-Lauren NuDelman
No comments:
Post a Comment